Monday, September 15, 2014

Zendik –Is There No Peace

Zendik –Is There No Peace/Aesop – Pslhrtz 100 (1970 US)

From Illinois and as the label states: Recorded in America…Yup and with real attitude too, with the stars and stripes probably hanging upside down. Zendik sounds like a slightly hippie-fied MC5 underpinned by a driving bass riff recalling The Stooges. This is the real McCoy, like a rural White Panther call to arms. Where Black Sabbath may have shied away by only asking the question, these shout out GOD IS DEAD. Apparently this is not related to the Zendik Texas commune, but perhaps inspired by?

Hear full version of both songs

Monday, September 08, 2014

Henry Turtle –Do You Believe/ You Turned Your Back and Walked Away

Henry Turtle –Do You Believe/ You Turned Your Back and Walked Away –Columbia DB 8859 (1972 UK)

Do You Believe was the first single released by Henry Turtle and was issued from a session at Air with a heavy backing crew featuring Chris Spedding, Herbie Flowers and Clem Clatini. Do You Believe is a surprisingly successful Spector recreation recalling I Can Hear Music or Don’t Worry Baby with Henry’s distinctive vocal delivery adding an unexpected twist.  The B side is a real heavy monster. The first few seconds are pretty weird then all hell breaks loose with Chris Spedding shining on what could be construed as a bongo infused T. Rex covering Whole Lotta Love. Funny to note that the French release (where the A and B sides were switched), warns the purchaser that the song only really gets going after the first 20 seconds! Henry is still active as a singer/songwriter and artist, you can check out his website here:

Hear a full version of You Turned Your Back and Walked Away

Hear a full version of Do You Believe

Sunday, August 31, 2014

Giano Ton –Matalo

Giano Ton –Bocca Di Rosa/Matalo –Rca PM 3550 (1970 Italy)

Giano Ton is a nom de plume for Giacomo Tosti and Matalo was featured on the soundtrack of Cesare Canevari’s Spaghetti Western of the same name. What is surprising is the mix of virulent Heavy Fuzz, Psychomania (Witch Hunt) choir vocals and snarly lead in English. The second half of the tracks is where the lead guitar gets cooking and the overall performance is pleasantly short,  getting to the point without time for any digressions.

Hear a full version of Matalo

Tuesday, August 26, 2014

The New Lords –T.V.

The New Lords –Radio/T.V. –Columbia C006-30419 (1971 Germany)

The Lords were (and still are?) the longest serving German Beat group. Although their best (R&B and some near Psych numbers) was also offset by some more radio friendly comedic sing-along stuff. By 1971 the band had split and the short-lived New Lords incarnation only featured Ulrich Gunther from the original band with younger cohorts in tow. They managed to put out an LP under the new moniker along with a single culled from that album, however the two tracks presented here were exclusive to this release. The coupling of T.V. and Radio makes this a concept single of sorts. Heading in a more Heavy direction T.V. is a real corker. It is Euro Hard Rock of the highest order and sits nicely next to Propeller (featuring Achim Reichel and Herbert Hilderbrandt from that other German rock dynasty –The Rattles) The A side is also superb but in a more radio friendly manner but with plenty of twists and turns including some surprising backward guitar. It is a shame that The New Lords didn’t continue in this promising direction as this line-up of the band split in ‘72

Hear a full version of T.V.


Hear a full version of Radio

Monday, August 11, 2014

Godson –We’ve Not Made It

Godson –All Dressed in White/We’ve Not Made It -Philips 6006155 (1971 UK)

We’ve Not Made It is an absolute killer piece of Proto Punk coming across like an early Boys track with strong Stones inflections. The vocal delivery is positively yobbish and snotty in its attitude; it’s hard to believe that this came out in 71. Even more surprising is that Godson was a project created by John Bachini (ex-Orange Bicycle) with Mike Vaughan (Easybeats manager) on production duties and not a kick off effort by some young upstarts. All Dressed in White is more obviously commercial recalling John Kongos imitating Dylan over a Abbey Road/Hotlegs backing track but spelling out no hit wonder.

Hear a full version of We’ve Not Made It

Hear a full version of All Dressed in White

Sunday, August 03, 2014

Angelo Finaldi –Le Sorcier Le Maudit

Angelo Finaldi –Le Sorcier Le Maudit/ Pas Fou –TC Extra EX 7726 (1972 Canada)

Here’s a pair of cracking raucous Glamrockers from this French Canadian guy. Le Sorcier Le Maudit was written for French wrinkly/Plastic surgeon victim Johnny Halliday, but Johnny didn’t give it the A side treatment it deserved. Anyhow both sides are top notch powerful performances, out-rocking Michael Pagliaro in his own backyard. Angelo was in 60s Canadian Garage Punkers La Revolution Francaise and Les Sinners. Strangely enough he recorded in London around this time for RAK. The result? Yes Angelo Finaldi was the Angelo in Angelo & Eighteen! Vivre Le Quebec –Vivre Le Quebec libre…!

Hear a full version of Le Sorcier Le Maudit

Hear a full version of Pas Fou

Tuesday, July 29, 2014

Beautiful Garden –Dear Miss Mary

Beautiful Garden –Dear Miss Mary/Dreaming –Delta D 1019 (1973 NL)

Here’s a real Purepop number with the emphasis on stomping quirky Pop. Dear Miss Mary featuring lead vocals with a strong Bowie/Tigers on Vaseline delivery adding a Glam element especially when also considering what sounds like clog stomping underpinning the beat. There’s also some nice Fuzzy guitar over the strong melody widening its appeal. Dear Miss Mary was written by Alan Decker (Left Side’s bass player). Beautiful Garden was from Schoonhoven, with the band’s name being a direct translation of their hometown. The band was Dick Hegeman (lead vocals), Ron de Wit (bass guitar), Gert v.d. Lagemaat.(guitar), Gerrit Bohré (keys) and Cor Gravestein (drums). It looks like this was the first of 2 singles the band released 

Hear a full version of Dear Miss Mary


Sunday, July 20, 2014

The Kingsmen -Today

The Kingsmen -You Better Do Right/Today –Capitol 3576 (1973 US) 

This single came out a long way along The Kingsmen career. It seems that by 1973, they tried to actualise their sound  away from the Jolly Green Giant/Louie Louie workouts towards a more contemporary Hard Rock sound. Not sure what permutation of the band was behind this, but on this B side Today they rock out in a surprisingly assured manner with some fine lead guitar. You Better Do Right is also good, more melodic  like a cross between the Raspberries I’m a Rocker and a convincing Bob Seger number. 

Hear a full version of Today


Hear a full version of You Better Do Right


Monday, July 14, 2014

Wolfman and The Pack -Gimmie Gimmie Good Lovin'

Wolfman and The Pack -Gimmie Gimmie Good Lovin'/You're So Fine -New Deal NDR 0001-45 (1969 US)

From the wilds of West Kentucky, comes this spirited cover the Crazy Elephant hit. It’s raw and rockin' and features some killer guitar from the 1 minute mark making it the perfect mix of Bubblegum and Hard Rock. Wolfman and The Pack was a long serving outfit featuring Robert “Wolfman” Crider on Guitar and lead Vocals, James Stanfill (bass), Gary Holder on drums and Lannie Wall on the cutting lead guitar. There also had an album out on New Deal as well as another single on Century Records "Give Me Back What's Left of My Heart". The Wolfman passed on a couple of years ago

Hear a full version of Gimmie Gimmie Good Lovin’

Tuesday, July 08, 2014

Time’s Up: The TNS story

Posting on Purepop sometimes helps to uncover fascinating back stories to hitherto unknown but key releases. In this instance the band members were blown away that their sole private label single was being talked about over 40 years after its initial release and contact was made. The original review can be found here

Time’s Up is a a remarkable no holds barred overdriven Michigan Rock Classic and the archetypical example of the perfect Proto Punk performance. Following a couple of calls with drummer Dave DeHoog, here’s the lowdown
TNS were born as a trio comprised of Dave DeHoog (drums/lead vocals), Steve Barkwell (bass) and guitarist Randy Nichols. Based in Grand Rapids, the band was formed around Dave and Randy’s friendship. After trying out another couple of guys they met Steve (bass). He didn’t play an instrument but really wanted to be in the band, so Steve went off to buy a Silvertone bass and Randy taught him some basic moves. Dave: “After 6 months he learned so much that we put him in the band. He just took right off…” In 1971 they auditioned Al (lead vocals) who then joined the band

Live at Calder Plaza, Grand Rapids 1972
They were known as The TNS Blues Band from 1969 onwards heavily inspired by UK Blues Boom acts such as Chicken Shack or early Fleetwood Mac. But why the name TNS? The reason screams out attitude…Dave: “Originally we would play anywhere including wedding receptions and our music didn’t fit that kind of thing and we were done being yelled at during wedding receptions because the music was too loud. TNS stands for Take No Shit! We are the Take No Shit Blues Band and we are going to play what we want, where we want and we are going to play as loud as we want…”

The change from TNS Blues Band to simple TNS was not due to a shift in direction or even a concerted decision, but due to practicality and graphic design issues! Dave: “There wasn’t room on the label for TNS Blues Band!
Although heavily inspired by the UK blues sound, Michigan/Detroit high energy wasn’t far away Dave: “We used to go and see the MC5 about twice a month, we loved Wayne Kramer and Dennis Thompson, but we weren’t really aware of The Stooges and never saw them. Detroit was about a three hour drive away and there was a lot of talent there…”
The sound on the record is incredibly raw with an exemplary guitar sound. Dave: “When we got to the studio there were 2 engineers. We started rolling in those 100 W Marshall stacks in and that one dude didn’t want anything to do with us and left, so we were just left with one engineer…” That lone engineer did a great job in capturing the performance with the amps cranked up to maximum to get the overdrive and sustain needed. The band played the tracks live in the studio and added the vocals later.
The recording of the single was the only record session they did, but there is a live ¼”  tape waiting to be uncovered. Their live set included other originals as well as some choice covers such as MC5’s Ramblin’ Rose or Alice Cooper’s Return of The Spiders along with more bluesy material such as Taste's  Catfish Blues or Messin With The Kid. I hope that we will get to hear this live tape one day.
Time caught up with TNS and although they remained friends; by 1974 the band started to dissolve due to other commitments taking precedence. Now 40 years later, TNS are gaining wider interest. Time’s up has since shown up on Michigan Meltdown Volume 2 and may be making another appearance on a Numero group compilation. But there’s still nothing quite  like playing Time’s Up as it was intended on a glorious 45.
From Left to Right -Randy, Dave, Allen and Steve
Thanks to Dave DeHoog
Hear a full version of Time’s Up
Hear a full version of Telling Your Fortune

Monday, June 23, 2014

Twelve o’ Clock –Easy Come, Easy Go

Twelve o’ Clock –Easy Come, Easy Go/Baby, Baby, Baby –Imperial 5C 006-24 643 (1972 NL)

A bit of a Dutch mini-supergroup (featuring various ex Brainbox, Cobra, Machine and After Tea members) who only managed this one single during their 72-74 existence. Easy Come, Easy Go is a delightful overtly pop number that didn’t know shame; repeating its chorus over and over…Anyhow it sticks in the mind and fits right in with the best in Dutch 70s Pop with a sprinkling of late 60s Kinks and early T. Rex with a very evocative lead vocal and a mighty hook. The B side is more dreamy with some nice backward guitar.

Hear a full version of Easy Come, Easy Go

Sunday, June 15, 2014

Primevil –Too Dead To Live

Primevil –Too Dead To Live/Fantasies –LM 7144 (1972 US)

Yes, this is the same Indiana combo who released the coveted Smokin' Bats at Campton’s LP in 1974. This is the group 2 years previous with a rarely documented  self-released single. Although the B side was later re-recorded for Smokin' Bats, Too Dead to Live is exclusive to this release. Too Dead To Live (great title) nearly lives up to expectation. It’s a raucous basic Riff -Heavy Rock-Blues Work-Out with a good line in twiddling leads and mouth organ exhalations. Supposedly the band were not too enamoured with the sound on the single and destroyed most copies

Hear a full version of Too Dead To Live

Sunday, June 08, 2014

Image-Witchcraft 71 vs. Frog-Witch Hunt

Image –Witchcraft 71/Hot Blood –Chaparral C1306 (1971 US)

Frog-Witch Hunt/ Living Dead –Jam 39 (1973 UK)

70s Exploito-Occult Fun this time... Here we place a British entry by John Cameron which was featured in Psychomania…(you know the film - wild youth biker gang commit suicide to come back as the Living Dead under the gleeful eye of Beryl Read) vs an obscure US entry that screams out to have featured in a movie. I couldn’t find anything on Image; just that they were from Illinois. The pressing is poor (all 3 copies I have heard have noisy intros), but the track builds nicely and goes into Heavy Psych mode with a wild manic African Black Magic bit. HEAVY!

Hear a full version of Witchcraft 71

Hear a full version of Witch Hunt

Psychomania Trailer

Thursday, June 05, 2014

Transfer –Play It Cool

Transfer –Play It Cool/How Can You Change Me –Self Release - S80 24809 (1974 US)

Time to name a mini genre here…. I could just about file this under "Records that sound like The Flamin’ Groovies" (Flamingo period), as it has that tight gritty rhythm guitar groove very much like FrÜt’s Snatch n’ Grab It in fact. Other tracks in the genre could include Midwest’s Heaviness or Homegrown’s Loaded. It’s not heavy enough to be classified as a Bonehead Cruncher, it’s not Rural Rock, but it stands at the tail end of Garage with a tight and streamlined sound featuring a noticeable Stones influence. Anyhow not much can be found on Transfer, they seem to have operated out of Duluth Minnesota and that’s about it, unless someone out there knows more. Thanks to Collin for another hot tip. Enjoy!

Hear a full version of Play It Cool

Sunday, May 25, 2014

Dwarf -Another Chance

Dwarf -Another Chance/Perfect Pair -Merlyn 3380 (1977 US)

Onwards and forwards with the third release by Michigan teen sensations Dwarf. We are now 2 years on from Gotta Get Louder
and the boys would soon turn into men, but were still a long way from being drink legal. Nick Piunti’s Another Chance has a certain air of disillusionment about it. Although a vibrant and a great Proto Punk’ tune, you could initially be led to believe that the boys were nearing burn out (at 17!!!). However, the song itself was more about not fitting in and a plea to be heard above Disco and the Prog AOR morass prevalent at the time. Nick explains: “I wrote that song because Disco was in full tilt and I thought that rock bands were being replaced by DJ.'s, hence we weren't gigging as much as we would have liked… I think the band was in a bit of a lull because we didn't sound like any of the bands that were on the radio at the time. Boston, Kansas, Journey, we didn't connect with that kind of thing. And it was before I discovered Tom Petty, Elvis Costello and others that I could relate to…” Melodic and riff strong the single is further enhanced by a sublimely chaotic delay that provides an interesting mish-mash of sounds and makes it quite unique.

Hear a full version of Another Chance

Nick has just released a solo album that is now available on vinyl
 The lead track 13 In My Head is superb and harks back to his days in Dwarf. I wholeheartedly recommend it, especially on vinyl!

Monday, May 19, 2014

Terry Williams -Wig Wam Bam

Terry Williams -Wig Wam Bam/Where Did All The Good Times Go? – MGM K14611( US 1973)

I don’t know what’s more absurd – the fact that this solo effort by the lead guitarist from KENNY ROGERS & THE FIRST EDITION exists OR the fact that it’s so good. …cos it’s both: extant, absurd and beyond a shadow-of-a-doubt essential. Ex-NEW CHRISTY MINSTRELS Terry Williams, by 1973, after more than five years of touring and mind-boggling strings of consecutive hits, had begun to show ‘signs of middle age with weight gain and patches of gray in his beard…Although he made up for it by wilder dress and hair.’ Not my words, people, but the words of Wikipedia dot com. So, in whatever burrito-truck-funk Williams found himself in, he – after releasing a few other solo singles – found himself in the sunken-living-room clutches of perpetual KIM FOWLEY companion, MICHAEL LLOYD. One can only guess that it was Lloyd who initially hipped Terry to THE SWEET’s year-old hit; perhaps suggesting that it might go down a storm with the hot-panted and panting jailbait crowds crowding the miniscule mirrored dance floor at Rodney’s English Disco. In any event, he was wrong and it didn’t and Terry went back to Kenny Roger’s Roasters where he continues to check in on what conditions audiences’ conditions are in to this day. That said, this song more than belongs in the pantheon of great U.S. Glam Rock-n-Roll with great Skydog FLAMIN’ GROOVIES’ guitar and exquisite production by Lloyd. If you thought THRILL’s take on LOU REED’s ‘Hangin’ Round’ was a reductive improvement, then ladies and gentlemen welcome to Heaven.Oh. I didn’t include the 45’s b-sde as it’s a soppy ballad later covered by DONNY OSMOND (real talk). You’re welcome!

Hear a full version of Wig Wam Bam

Thanks to infrequent collaborator Collin the enlightened and inspirational scribe for digging this one up and writing about it so eloquently. Visit his blog

Tuesday, May 13, 2014

I Drive –Castle in The Sky

I Drive (Superstar) –Castle in The Sky/Coming on Home –BN 45-114 (1974 Spain)

I Drive were an Altringham based band who took a trip to Germany and ending up staying there when their van broke down! As I Drive they had a collectable LP released on Metronome in 1972, then for some reason two band members  relocated to Spain where this fine single was recorded and released. Castle in The Sky has a bit of everything, but somehow doesn’t lose its sense of direction. It has a firm identity and features great playing with ample riffage. Of particular note is the lead guitar sound which has a nice slapback delaywhich really comes into its own over the two sides. Castle in The Sky is probably the stand out part Hard Rock, Glam (you can just about hear the eye make-up) with a sprinkling of not too invasive prog. Coming on Home is a sturdy T. Rex type rocker again featuring fine guitar and some Move-like bass lines.
Read the story here

Hear a full version of Castle in The Sky

Hear a full version of Coming on Home

Wednesday, May 07, 2014

Desperated Company –Higher

Desperated Company –Higher/Can Somebody Tell Me –Foon F4535026 (1977 Belgium)

Higher was the first of the two singles that Belgium’s Desperated Company released in 1977, but Higher is their stand out moment being a prime example of 60s Beat influenced Powerpop sounding like something that could have easily been released on Titan (or on Outrage) at the time. The B side is also cool, melodic but with a more straight ahead Boogie flavour. At least 2 members of the band are still active today as Desperated Company still ply their trade as a cover band servicing the local Belgian population at private functions, clubs and other forms of merriment…

Hear a full version of Higher

Hear a full version of Can Somebody Tell Me

Tuesday, April 29, 2014

Scorpion –It’s All Over Now

Scorpion –It’s All Over Now/Wolf’s Mouth Song –Green Light/MNW 0020-MNW-37 S (1971 Sweden)

One year on from the Kim Fowley infused I Am The Scorpion LP, Bo Anders Larsson returns with this two sided Killer single. Kim Fowley doesn’t appear to be present this time, but both sides are strident examples of top notch early 70s rock at its best. It’s All Over now is the Valentinos/Stones classic, although credited to Wally Whyton who recorded a song of the same name in the late 50s. Anyhow the version here is full of proto punk venom, wild yet fully realised in its own setting. Wolf’s Mouth Song is a heavy stoner instrumental with hard guitar to the fore which positively screeches by the end. Hot stuff!

Hear a full version of It’s All Over Now

Hear a full version of Wolf’s Mouth Song

Saturday, April 12, 2014

Utrecht Record Fair Day 2 / Phil Spector unreleased Acetate -Lucy in London

Just a gentle 7 hour walk around the stalls today...

Some nice if not midblowing stuff...BUT

.... -There is the little matter of this unreleased Phil Spector acetate from 1966 which featured in the Luclle Ball in London TV special...It looks like it was one of only 4 acetates made...

You can watch a newly edited clip from the show and hear the song loud and clear. It's a great tune and performance with a wonderful wall of sound and a near Pet Sounds middle bit. It appears that this is Phil Spector singing himself

Watch the video here

The rest...
A nice Dutch Sister Morphine and an upgrade of the Pussy single

Friday, April 11, 2014

Utrecht Record Fair April 2014 -Day 1

Reporting back from Utrecht where the first day was not always the usual fair...

First things first. The records. One thing that has changed in the last couple of years, it that it has become more and more unlikely to pick up cheap  Glam/Proto Punk singles. There are still plenty of cheap singles, but where you could unearth gems before, the word is now out and you are now likely to find them in the €20 -€50 bracket. Some dealers  even have Junkshop Glam sections on their stalls. Still there is plenty of great stuff out there although you may now have to pay a price.

A great mixture of classic Garage Punk (Haunted / Oxford Circle and Freakbeat (The Dakotas' The Spider and The Fly) along with great Supachief and Jerusalem pic sleeves. The choice of the bunch might well be Scorpion's It's All over Now/Wolf's Mouth Song (Sweden)

At Last The 1958 Rock and Roll Show features Ian Hunter on bass.

Some more Glammy stuff including 2 entries from East Germany, fierce Gallic Punk and the  pre Fickle Pickle single by Samsun. Particularly nice is the I Drive Superstar single.

Thanks to Mauro who got a full cheese fondue together behind a record stall (with Absinthe!) which provided much relief from the Frikadelen and frites...

Guerrilla Fondue
Fondue Terrorist

Bring on tomorrow!

Wednesday, April 09, 2014

Utrecht Record Fair April 2014

God how  time flies. November seems like it was only a few weeks ago...

Anyhow I fly off tomorrow. I will have time to check out the small outdoor fair on Thursday then it's back to the wonderful madness from 7am on Friday. There are bound to be some prized hot ticket items with the Swedish mob bringing back a good chunk of Michel Terstegen's collection. So  will it be a case of 10 expensive buys or 100 cheap ones?...let's see

Friday, April 04, 2014

Carriage Company –The Beasts

Carriage Company –The Beasts/Come Along –CBS 4144 (1969 Belgium)

The Beasts was the first of 5 singles released by this great Belgian outfit. It is also the most far out of their releases. The Beasts is just full to the brim of ideas from the Biblical opening to Fuzzed out Heavy Rock through Easybeat chord changes all the way to the Sleazy Blues/end Freak Out. The Beasts is an incredible trip, but God knows what they were trying to do. The singer does a wonderful job out-taxing Wally Tax and shines across both sides while the guitar playing is cutting and a model of controlled lunacy. The B side Come Along is slightly more sane, but still a raucous affair featuring again some great guitar and further tempo shifts

Hear a full version of The Beasts

Hear a full version of Come Along

Friday, March 28, 2014

Rippa –Witches Brew

Rippa –Witches Brew/Same –Rocky Coast Records RC 19762 (1976 US)

Here are the Galahad boys Gerry Morris and Tony Atkins on what must be the most obscure entry in their catalogue. Although a bit overblown; the production values apparent in Rocket Summer still linger. It is a strange Heavy Rock/Glam concoction, with a severe case of–“OK we have this new mixing desk and all this outboard –how far can we go? Oh that’s handy, there is a horn section in the next studio...” I suspect drugs and too much time to mix. Enjoy

Hear a full version of Witches Brew

Wednesday, March 19, 2014

Hog –Cop Killer

Hog –Cop Killer/Driving Pusing –You T579-422 (197? US)

This is probably one of the most basic, shambolic yet gripping slices of Bonehead you will ever find. The playing is just so…well crap, but somehow riveting, it’s just like watching a car crash, or in this case a band implode, in front of your eyes, well ears. COP KILLER!!!! Are these a bunch of bikers who had free time in a pal’s studio? Did they ever get to even rehearse this opus? With names “Jew” on lead guitar, ”Mad Dog” on bass, “Biggy” and “Sticks” on drums they give Peppermint Ridge a good run for their money and deserve your full attention. This is actually the B side to Driving Pusing (sic) a gooey piece of rambling stoner absurdness by what might be a different bunch of people. Ah those mysteries…

Hear a full version of Cop Killer

Hear a full version of Driving Pusing

Thursday, March 06, 2014

Clapham Junction –Emily on Sunday

Clapham Junction –Emily on Sunday/Good Time Music –Du Monde SDM-309 (1970 Australia)

Emily on Sunday is a classic piece of Aussie Freakbeat/Powerpop with crashing Who-like powerchords and Anglophile inflexions similar in approach to what the Raspberries would emulate later on. It’s not a full frontal assault, but a great performance making all the right melodic noises. Clapham Junction were from Sydney and this was their sole release with singer James Willebrant then moving on to Toby Jug. Emily on Sunday is backed an OK cover the Katz/Kasenetz workhorse Good Time Music

Hear a full version of Emily on Sunday

Hear a full version of Good Time Music

Monday, March 03, 2014

Cagney –Gypsy Sunrise

Cagney –Gypsy Sunrise/Sun on The Run-Cagney 6093-198 (197? US)

Apologies for all the crackling on this one, but it’s worth it. Gypsy Sunrise is a fabulous Bubblegum tune played with loud conviction with a fuzzed-up yet tasteful guitar player ably supported by a monolithic cowbell Imagine a garage version of Boston attempting the Archies catalogue... It’s tuneful, rockin’ and a real classic in my book. No information on this one (Mark Dutton get in touch!) but it’s near perfect in construction and execution.

Hear a full version of Gypsy Sunrise

Monday, February 24, 2014

38 Singles and 6 LPs on ebay: Glam, Bonehead Proto Punk, Psych and Powerpop

I have a bunch of choice singles on ebay along with some LPs. All low starts, most with sound clips

You can find them here:

Good luck!

Jimmy Jukebox -Motor Boat (KIM FOWLEY) ORIGINAL UK Picture sleeve
Ohio Express -That's The Way a Woman is-RARE MOD Dancer/Bubblegum 1970
Flamin' Groovies -Feel a Whole Lot Better EP 7" (NOT the 12") UK Pic sleeve
Renegade My Revolution/ A Little Rock 'n' Roll -Killer Hard Glam1974 Demo
TALES -Rockin' Suzanna -Raucous Rock -Flamin' Groovies/Stones-DEMO- 1973
Neil Christian -She's Got The Power -Fuzz Freakbeat/Glam Stomper UNIQUE SWISS Sleeve!
Chaos -Guitar Man- UK Top (hat) GLAM German Pic Sleeve-1975
Dawn Chorus/Galahad -Little Green Men BUBBLEGLAM PSYCH -1973
Hetherington- Teenage Love Song-Powerpop 1973
Dwarf -Backstage Queen-- US-Private Proto Punk -Rare -1976
Dils -I Hate The Rich - US Punk 1977-original
Candy -Whatever Happened to Fun -Great US Powerpop
Wild Angels -Jo Jo Ann -R'n'R Revival/Glam-1972
Wild Angels -Clap Your Hands and Stamp Your Feet-Killer Rockin' Glam 1973
Day 'N Night -I Just Need Somebody -Phased Psych -1970
Simon Turner-SEX Appeal -Stomping Glam JK -1974
Rescue Co. No. 1 -I Want To Save You - Psych/Glam -DEMO-1972
Savwinkle and Turnerhopper -Your Mother Thinks I'm a Hoodlum DEMO-1970
Capital City Rockets -Little Bit o' Fun - US PROTO PUNK/Glam 1973
Jon Symon -Silver Star -Wild PROTO PUNK/Glam Scorcher 1975
Whizz Kidds-Big Teaser - US Glam/Proto Punk-Promo
Tiger B Smith -Morning Bird -Bonehead Glam Stomper 1975
Incredible Hog -Lame-Bonehead Cruncher -HEAVY Glam!-1973
Don Fardon -Don't Do That -Geordie-Blitzkrieg GLAM -1974
New York Dolls -Jet Boy- Rare Dutch Picture Sleeve -Original EX -1973
April-Rollin' It Over - GLAM-Autographed photos etc..." 1975
Christ Child -Let' Em Eat Rock -US Bonehead Crunching PUNK -1978
Shambles -Hello Baby -ORIGINAL UK Glam Cruncher-1975-Demo
Albatross-Rock 'n'Roll Boogie Man-BOOGIE GLAM Pic Sleeve!-1974
Good Habit -Find My Way Back Home -Crunching Glam 1974
Richmond -Peaches - Top UK GLAM 1973
Rockmore Williams -Lady Rock -Raucous Junkshop Glam -Demo -1973
Barry Ryan -Do That - GLAM classic - German pic sleeve! 1975
Mustang -Man On The Radio -German Teen Glam ROCKER-Promo sheet
Rockits -Livin' Without You -Badfinger -Nimbo -Powerpop-DEMO – 1973
John Black -Accordion -Crazy Gallic Glam -1974-Promo
Ritz -Jenny Gentle/Why Love -RARE UK Crunching Glam 1974 Demo
Robin Goodfellow-You Know Me Now- Great Purepop/Glam-1974

Plus 6 LPs
BONEHEAD CRUNCHERS VOL.1 proto-punk obscurities from the USA
BONEHEAD CRUSHERS (Crunchers) VOL 2 14 Demented Fuzz-Faced Monsters from the USA
BONEHEAD CRUNCHERS VOL.4 Streetlight Fight Boot-Stomping Low-life Heaviness

Barracudas -Mean Time Limited Edition PICTURE DISC!!! 30th anniversary Release

Sunday, February 23, 2014

Gidians League - Hey! Did You Know You’ve Got Your Face On Upside Down

Gidians League -Hey! Did you Know You’ve Got Your Face On Upside Down/You’ve Got a Mind of Your Own –Parlophone R 5933 (1972 UK)

Let’s stick then with Robin Goodfellow (see review below) for this bouncy Bubblegum ditty he wrote and produced prior to signing to Pye and being relegated to Dawn.
OK, it is a lightweight piece of fluff but a most enjoyable one thanks to its catchy chorus. It harks back to the pure Bubblegum sound of ’68 but adds a quintessential Englishness to the proceedings. What a great title anyhow...

Hear a full version of Hey! Did you Know You’ve Got Your Face On Upside Down

Tuesday, February 18, 2014

Robin Goodfellow -You Know Me Now

Robin Goodfellow -You Know Me Now/I'm Suddenly Alive -Dawn DNS 1057 (1974 UK)

Here’s a great classic unheralded UK 70s pop single with a nod to Glam. It reminds as much of Hetherington as it does Marc Bolan, that guitar is pure T. Rex in any case. You Know Me Now is damn catchy tune with a nice and bouncy production and the B side is also cool too. Robin had another earlier single on Pye (Why Am I Waiting) which is nearly as good while leaning more torwards David Bowie. I haven’t found much relevant information on the Net, so if anyone want to fill in the bits. You're  more than welcome...

Hear a full version of You Know Me Now