Reviews of tasty and obscure hook-filled rock'n' roll releases (Glam, Heavy Bonehead Crunchers, Powerpop, Pop/psych,Garage, Surf, 60s Girl Group Rock)...Plus any quirky musings that tickle my fancy... I created this blog in order to stimulate interest, share discoveries and encourage people to go out and search for the original vinyl. Hopefully this blog might also encourage labels to actually compile some of this stuff officialy.
Tuesday, June 30, 2015
Half Life- Get Down
Sorry for the lack of activity on Purepop....but I am currently unable to upload new sound files to Divshare who stored all my sound files (before they lost them all). Not sure when normal service will be resumed...In the meantime enjoy this wonder...A pulverising Proto Punk masterpiece from 1969 that was unreleased at the time. Before settling on the name Half Life they were called No Fun. Yes a Detroit band named after The Stooges number. Wow.
https://www.youtube.com/watch?v=Wn6iEy7qWnw
Tuesday, June 16, 2015
Tribal Sinfonia - Something Has You Turned Around
Tribal Sinfonia - Do You Want Me/Something Has You Turned Around–Tribe Records Z4KM- 3010 (1970 US)
Out of Detroit, here is quite an oddity. Horn driven Rock with some blistering guitar riffs and lead. It is not so much Chicago as a mutoid marching band crossed with the heaviest of what Michigan could offer, only slightly hindered, by a weedy interlude. Compiled on one of those Michigan Meltdown comps, it sounds best as nature intended. It appears they released a second single but supposedly in a more Funky vein. The b side is pants and features flute, so is best avoided
Hear a full version of Something Has You Turned Around
Note: I am unable to upload files to Divshare…yet AGAIN! Arrrgh…
Tuesday, June 09, 2015
Vodka Collins –Automatic Pilot
Vodka Collins –Sands of Time./Automatic Pilot- Express ETP -2857 (1972 Japan)
A wondrous and killer single released in 1972 by Alan Merrill whilst in Japan following the initial line up of Streak and forming hit-makers Arrows in the UK. Automatic Pilot could have been huge beyond Japan, if only their management and label had seen the wisdom of recording the song in English and looking beyond the Nippon market, but it was not to be. Alan’s Japanese sojourn did bring local success and they also recorded an album Tokyo New York. Automatic Pilot is the perfect Glitter choogler with a chorus that is pure T.Rex bliss in its hooky melodicism.
Hear a full version of Automatic Pilot
Alan was kind enough to fill in the gaps and tell the tale...
Streak was formed by Alan with Jake Hooker and John Siomos (drums) “We started Streak in New York while I was on holiday from Japan waiting for a work visa to go back there. It usually took 3 weeks to a month. We recorded a demo tape that reached Tony Hall" (Black Sabbath/Arrival manager), John soon left the band and Streak reconvened in London recruiting David Wesley on drums. However things weren’t moving fast enough for Alan. “At this point my money was running low and with no retainer in sight I got cold feet and took a flight back to Japan where I knew I'd have solid work and a record deal…”
Alan had co-written (although un-credited) "Gonna Have A Good Time and Be Your Ryder which was the first Streak singe on A&M featuring Alan’s replacement Ben Brierly on bass Meanwhile back in Japan… "While Jake was struggling to make Streak a hit band in the UK I had managed to make the first ever Japanese language glam rock records, singing in Japanese with Vodka Collins. I wrote the songs in English in 1971 and my drummer Hirsohi Oguchi made Japanese lyrics for the songs. "Automatic Pilot" & "Sands Of Time" in 1972. It was a double a-sided hit single. I think at that point in time I had made the right decision to return to Japan rather than stay in England with Streak..."
Was Automatic Pilot ever recorded in English at the time?
"No, that was one of the major sore points. I wrote the song in English but EMI Japan would only release the Japanese language version. That confirmed my fear that they had no interest in promoting the product outside of Japan. It was so frustrating. Compound that with only a very small trickle of money coming my way from Vodka Collins' management, so I had to say 'Sayonara" and jet it to London to start the Arrows. I took a big chance. When I got to England in 1974 I was broke, slept on Jake Hooker's floor until we got the record deal with RAK a few months after I arrived in London. It all worked out somehow. We were soon in the charts and touring as Arrows. I see in Vodka Collins you were a duo then were joined by a guy from The Spiders plus another..."
Was Automatic Pilot recorded as a duo?
Vodka Collins started as a duo, much like T Rex in the UK. We rehearsed my original songs just bass and drums for a few weeks. When the time was right we brought in a bass player (who was actually a fine guitarist, top musician) to complete the live line up. "Automatic Pilot" was recorded as a trio with Hiroshi Oguchi on drums and Take Yokouchi on bass. I played all the guitars (Gibson Les Paul) and sang the lead vocal (and the high falsetto octave vocal, overdubbed) in Japanese. Monsieur Kamyatsu of the Spiders joined us for live gigs, his being such huge star in Japan it was a great plus having him aboard.
You know, odd as it seems to this day I am still considered a domestic Japanese act, and not a foreign act in Japan. In that sense I'm unique and an anomaly. The only foreigner who will always be considered a home grown local act…
Subscribe to:
Posts (Atom)