Chris Hodge -Beautiful Love

Chris Hodge- Beautiful Love/Sweet Lady From The Sky -RCA LPBO 5007 (1974 UK)

There’s very little in the way of background information available on the web on Chris Hodge. This is surprising as he released two singles on Apple including the US hit We’re On Our Way.
It seems he signed to Apple thanks to Ringo’s shared passion for sci-fi! We’re On Our Way was a fine slab of Psych/Glam with lyrics in some way similar to Paul St. John’s "The Flying Saucers Have Landed", but with more urgency and with less of a namby Pamby hippy approach.
He then released two great singles on RCA - My Linda (credited to The Sunshine Kid in the UK) and this one before moving on to DJM for the lethargic sub-Burrito I Love You/ Old James Dean. After that who knows…

Beautiful Love in no way sounds like its title would make you believe. It’s a hard-as-nails-riff–heavy Glam Cruncher. The intro comes across like a wild space age Crazy Horses and the thumping drums gain an extra edge thanks to the astute use of a gated reverb during the thudding drum break - Shake, SHAKE!!!
There’s a web page for Chris Hodge here www.chris-hodge.co.uk.It has 8 unreleased tracks on top of the 10 he released at the time.

Click on title for an edit of Beautiful Love

Monsoon –Night Of The Fly

Monsoon –Night Of The Fly/ Caroline The Wine Was Good –Blue Mountain 12000 AT (1972 Dutch issue)

This is one weird Eddie Seago (Boston Boppers, Crunch etc...) artifact. I’m not at all sure what Night Of The Fly is actually about or has to do with falling in love, but this web of intrigue is finely supported by the music which features some neat fuzzed up guitar over a strange and haunting melody. It’s all wonderfully spooky and definitely all good!

Click on title for a full version of Night Of The Fly

Giorgio –Underdog

Giorgio –Underdog/Watch Yourself –A&M AMS 822 (1971 UK issue)

Let’s stay firmly in mainland Europe for this next single, by the king of Euro-Pop himself –Mr. Giorgio Moroder. Giorgio’s pre-Disco career is just full of these little gems, with Underdog being perhaps at the top of the pile. Here, Giorgio sings and stands up for all the down-trodden (mustachioed or otherwise) guys who not only get shit from the boss man but get laughed at by prostitutes…
The song twists and turns and the arrangement is full blown to say the least. It goes from mad fuzz patterns, to driving string quartets to drum breaks (where the spring reverb is set to overload and the delay full tilt on feedback) along with the usual Chicory Tip analogue keyboard bleeps.
The B side is an incredible garage Punk tirade targeted at those mean men in blue and makes this single a perfect double-sided purchase –go find!

Click on title for a full version of Underdog

Walkers –Do The Yo-Yo

Walkers –Do The Yo-Yo/ May Beautiful You –Philips 6019122 (1974 DK)

Here's another fine Euro-Stomper by Denmark’s Walkers. Do The Yo-Yo has the mother of all crunching beats but with one of the most simpleton-Bier-keller-Sing-a-long choruses you’ll ever get to hear-it even gives Jackpot (Is Everybody Happy) or Yellow Cat (Sissy) a run for their money! There’s also a strange vary-speed/Pitch change effect near the end, it sounds like someone simply sped up the tape manually at the mastering stage…very weird.

Click on title for a full version of Do The Yo-Yo

Starbuck –Wouldn’t You Like It/Maňana

Starbuck –Wouldn’t You Like It/Maňana –Belter 08.363 (1973 Spanish issue)

Brian Engel and Martin Briley camp it up to the max on Wouldn’t You Like It, but the track doesn’t quite reach the ridiculous “heights” of Do You Like Boys or have the sheer class that permeates Heart Throb (check out the April 21st post). This Howard/Blaikley track is not without its own particular charm or duck sound effects for that matter…
Brian: They (Howard/Blaikley) had run out of good ideas and soppy innuendo titles by this time and were resorting to gimmick sound effects ...I honestly remember a duck quack on this single…..but I don’t remember it being released...
Maňana is like DDBM&T covering Rag Doll and plays it more straight in a commercial pop vein. Brian: Maňana was an old Bay City Rollers song (I think we did it either first or round about the same time). Now that was a good pop song…International appeal, a catchy song with a chorus that you could sing but didn’t need to learn…Na na na Na na na na na -if you could remember those lyrics you’d got the song”

Wouldn’t You Like It is probably the 2nd Starbuck single (RCA 2350 in the UK 1973) as Heart Throb on Bradleys came out the following year. It seems that there might even be a fourth single released as Starbuck: “Excerpt From A Skateboard Symphony” on Axle Production which ties in nicely with the later Slick Willie single (see review June 5th)

Thanks to MJ and Brian

Click on title for an edit of Wouldn’t You Like It/Maňana

Spunky Spider –You Won’t Come

Spunky Spider –You Won’t Come/Perchance –Phoenix S-NIX 143 (1973 UK)

Spunky Spider’s only single is a strange and sticky beast indeed. It Comes across like Robert Calvert posing as a Sex Pest with a pre-pubescent Status Quo on this no-holes-barred performance. You Won’t Come certainly doesn’t spurt an attractive melody, but the snotty nosed Punky/sleazy approach is quite startling. Remember, this is god-knows-where in 1973 and not a dingy Squat basement in 1977.
Perchance is more 1967, and sounds like a band rehearsing for their set at the Avalon Ballroom and is more of an "open-minded" concept. There is zilch in the way of information in the liner notes of RPM’s Glitterbest Comp where I first heard it, but the cavernous lo-fi production values means that there probably was a real local band behind this release. Both tracks are written by Millman/Moran and it’s produced by Allen Henry. If that’s any clue…

Click on title for edits of You Won’t Come and Perchance

Normal Service is resumed...

ALL SOUND FILES ARE ONLINE!!!!

Don't ask me how or why, but all sound files are available again. The old ones that I haven't replaced won't have the player at the bottom, but the sound clips are there if you simply click on the title.

Johnny Burton –Polevault Man

Johnny Burton –Polevault Man/The Polythene Doll –Philips 6006236 (1972 UK)

Polevault Man is one of those out-of-period numbers, although it came out in ’72 it sounds more like 1968. It’s a bouncy little number on the border of Psych and PolkaGum with some snazzy fuzz. I first heard this track on one of those Circus Days comps and its chorus and lyrics just stuck in my mind. It’s quite a moral tale in fact, as a boasting Johnny recounts his exploits of jumping ahead of Mr. Average to add to his conquests, but he gets his comeuppance in the end…
Vocally, Johnny has a certain Scouser stance in his raspy delivery, but who is he? There’s a Johnny Burton who has a single Come On, Dance With Me/ Slave Girl that is collectable in Northern Soul circles…But is it the same Guy?

Click on title for a soundclip of Polevault Man

Pip Williams -Hey! Mr.Record Man

Pip Williams -Hey! Mr.Record Man/ Nightmare -RCA 2511 (1975 UK)

Pip Williams's name seems to pop up a lot on many noteworthy Glam era singles. Often working in tandem with Phil Wainman (including the early Sweet singles), he was often employed as a session muso, arranger, musical director and producer. Hey! Mr. Record Man is one of his rare forays as a solo artist. Produced by Phil Wainman, the track is basically Bo Diddley goes Glam and comes off much like The Arrows Toughen Up, but with Pip spending much of the tune searching for the right note to sing...The lyrics of the song are (and I quote) "a gentle satire on some of the more intense people he has met in the business". But Pip doesn't even get close to nibbling the hands that feed him...

Click on title for a soundclip of Hey!Mr. Record Man



Even more soundclips reinstated…

Electric Banana -Groovy Bubblegum Music 10/11/06
Revolver -But How I Love it 6/12/06
Mad Hatters -The Humphrey Song 29/11/06
Tiger -I Am An Animal 16/02/07
Heavy Dwarves -Moeder Natuur 4/01/07
Sparky -(Do You Remember)That Summertime Woman 9/11/06
Cobraa -Ride A Poney 15/12/06
Puzzle -Houla 12/11/06
Ohio Ltd./ Canyon 13/12/06
Marrakesh -The Prodigal Son Returns 1/11/06
Propeller -Apache Woman 22/12/06
Hustler -Money Maker 8/12/06
Granny-Weirdries Deirdre's Dilemna 13/11/06
Geoff Appleby -Hey Sadie 6/02/08
Captain Groovy and His Bubblegum Army 5/11/06
Saft -People In Motion 18/01/07

Singles on ebay...

I've put some singles up on ebay including both Buzz singles, Paul Cass, Bubbles, Electric Banana, Saft and many others.
You can click on the title to go straight to my listing, or use the URL below...
http://search.ebay.co.uk/_W0QQsassZpurepop1uk

Good luck!

Here's an edit of The Rock Roller Coaster by BUZZ

Slick Willie –Side Walk Surfing –Skate Boarding

Slick Willie –Side Walk Surfing –Skate Boarding/Slick Willie –Pentagon PENT 4 (1977 UK)

Tying in nicely with Kingsley Abbott’s piece on Skateboarding in the new issue of Record Collector, here’s a cool UK cash-in on the Skateboard Craze that whipped kids into a frenzy of cracking their elbows and dislocating their knees in the mid 70s. Slick Willie is in fact Brian Engel and Martin Briley (God…. they seem to be popping up everywhere at the moment) and the A side is one of the better examples of this sub-genre. It has a mean guitar riff and the catchy track rocks out quite nicely indeed, a bit like Alan Carvell if he had bollocks... Not quite up to the standard set by the Shambles single, but a cool release all the same. Further adventures of Brian and Martin coming soon....

Click on title for a full version of Side Walk Surfing –Skate Boarding

Canyon -Top Of The World + More Sound Clips

While going through the darker regions of my hard drive, I came upon this track which is definitely worth hearing in its pure non-edited glory...

Canyon –Top Of The World/Boogie Down Broadway –London HLZ 10500 (1975 UK issue)

Bubblegum Kings Kasenetz-Katz put their clout behind the unique single by Canyon. The approach is similar to Ohio Ltd (Wham Bam), but it is now ’75 and we are moving closer to Ram Jam (Black Betty) territory with this fine hard rockin’ Glam Boogie work out.

Play It Loud and Play It Proud!


Thanks to Tony of Crazee Kids, I have added more sound clips to old posts:

Bubbles (Hurdie Gurdie etc...) 21/06/07
Clutch -10/07/07
Funky Family -11/01/08
Gisela Dressler-20/07/07
Good Time Joe -02/03/08
House Of Lilly -21/11/07
Melody -C'mon On Kids 16/03/08
Memories -Lay It On Me 1/04/08
NQB -13/07/07
Passengers -4/12/07
Remember This -5/09/07
Ritz-13/12/07
Geoff Britton & The Spitfires-29/03/08
Screemer -They're on Bell Flexi-17/06/07
Shake A Tail Suzy Flexi-15/06/07
Spiv -20/08/07

Clem East -What Are you Trying To Do To Me!

Clem East -What Are you Trying To Do To Me!/ Jupiter -MR PRS -2668 (197? Aus)

What Are You Trying To Do To Me! Is a corking Punk 'N' Roll track which kinda of reminds me of Get Out Of Denver twinned with Jim Carrol. It's full of attitude with squealing NYC-type vocals and a blistering Deniz Tek-like guitar break. The other side, Jupiter, is 6m 30 long! It's starts off quiet and subdued and turns into this near-Stoogean Blow-out. No idea whatsoever who Clem East is/was or who plays on the killer single. it's an Australian release, but apart from that, there's zilch in the way of info on the Web...

Add -on: Those kind folks at Vicious Sloth have provided an insert that came with the single...anyone want to ring the number provided? Ha...

Click on title for an edit of What Are you Trying To Do To Me! and Jupiter or try the player below...

Please note I am trying out this different hosting site -please let me know how it works for you -Thanks

Kentucky Freeway –Take Off

Kentucky Freeway –Take Off/Who Knows What I Need –Penny Farthing 06-014 (1972 Spanish issue)

This is the Stamford Bridge gang ( John Carter/ Peter Barnfather) ploughing their way through a nifty Glam/Boogie Groover that increases in intensity as it goes along. The song literally "takes off" around the 1m25 mark when an army of massed Kazoos!!!! overpowers proceedings. The track then really comes into its own and includes a welcome return of the Kazoo army. Real fun and catchy stuff!

Click on title for a soundlip of Take Off

Walkers –Fire/ All Right All Right

Walkers –Fire/ All Right All Right – Philips 6019108 (1973 DK)

Denmark's Walkers were nothing if not prolific. It seems they released around 22 singles, but this one must surely rate as the best 2-sider of the lot. Fire is a fun and slightly dorky romp sounding like Chicory Tip morphed with Alexander Graham Bell era Sweet with a bit of T. Rex in the vocal inflexion department. Pure Bubbleglam...All Right All Right on the other hand is a great rocker with a fabulous riff and compares well with the best rockin’ Raspberries’ material –it’s that good.

Thanks to Tony of Crazee Kids for pointing me towards this one.

Click on title for an edit of Fire and All Right All Right

Zips –You’re So Good To Me

Zips –You’re So Good To Me/ Gonna Leave The Door Wide Open –Yum Yum Records 17001 (1974 Ger)

This is Pip Whitcher and Roger Lomas (Sorrows/The Eggy/ Renegade) with Adrian Baker covering the Beach Boys’ track in a more distinctive manner than the versions by Johnnie Ricco or Design released around the same time. The Adrian Baker Beach Boys fxation and Teen angle is nicely counter-Balanced by the ballsy guitars and thudding beat. Zips also released a so-so version of Bye Bye Love on RAK with a solid rocker called Evil Hearted Woman on the B side…With the weather turning somewhat for the better expect some more Surf/Glam crossovers soon…

Click on title for a soundclip of You’re So Good To Me

Whistle –The Party Must Be Over

Whistle –The Party Must Be Over/Hideaway –YORK YR201 (1973 UK)

Whistle's single is probably the 2nd best Glam era Cruncher on the York label after Abacus' Indian Dancer. The Party Must Be Over also shares a similar unusual song structure with Indian Dancer: The intro is drawn out (no bad thing), there’s only one verse, but the chorus is an endearing hand-clapped-sing-along which is followed in turn by more riffage, a guitar solo and a repeat of the chorus as an outro. There's a second Whistle single on York -has anyone heard that one? Any info on the band?

Click on title for a soundclip of The Party Must Be Over

Merlin –Rock And Roll Express

Merlin –What A Funny Way To Fall In Love/ Rock And Roll Express –CBS 3021 (1975 UK)

Merlin were a bit of a Schizoid act, their album is an over-produced and patchy affair alternating between Hard Rock, Glam and overtly commercial Pop with a little Prog thrown in…The A side in fact appears under the title Look At Me on the album, but the B side is exclusive to this release. Rock And Roll Express is probably their best performance and it’s a suitably meaty and crunching number with some neat power chords, handclaps and snotty vocals. As a song, it doesn’t really go anywhere, but it hurtles down the track quite nicely.

Click on title for a soundclip of Rock And Roll Express

Snatch -For Always And Ever

Snatch -For Always And Ever/Hunting Kind -Polydor 2058619 (1975 UK)

For Always And Ever is a cover of the opening track of The Glitter Band's Rock 'N'Roll Dudes LP. The meaty guitar and top tunage turn this performance into a fine Powerpop/Glam crossover. Snatch's only claim to fame seems to be that the drummer was the brother of The Rubettes sticksman...and in fact John Richardson and Alan Williams produced this release and wrote the B side...It's still to be confirmed if there's a 2nd Snatch single on Polydor.

Click on title for a full version of For Always And Ever

Maria –Clap Your Hands And Stamp Your Feet

Maria –Clap Your Hands And Stamp Your Feet/Out Of My Mind –Epidemic RASH 612 (1973 SA)

In my quest to own every version of CYHASYF known to man, I now present you with the South African version! It’s a sprightly remake of the Bonnie St. Claire/ Pete Koelewijn classic, with fine backing vocals chanted by what sounds like the remnants of a pacified Zulu nation embracing Glam…Perhaps the strangest aspect of this release is the name/ look of the label as it could be pass for some 80s Indie label and not the output of the Apartheid regime in ‘73. One day I hope to have 12 different versions of this song (any from Asia?…there must be!) which would be the excuse to release an album called " I Want To Teach The World To Clap Their Hands And Stamp Their Feet"

Click on title for a soundclip of CYHASYF

Candy –Orang-Utang

Candy –Orang-Utang/ The Rock Comes Back -Pink Elephant PE 22.769X (1973 BE)

This is where I lose any lingering credibility I may have still had...
It looks like Candy were a Belgian aggregation (group would be too sane), and Orang-Utang is well...BLOODY SUPERB, makes Jungle Jim sound like Joy Division. The manic drumming, Farfisa organ and insanely infectious tune put this one right up with the best Monkey songs around...it nestles perfectly next to Douglas (Monkey Song) in any case...

Just download this and play it loud and proud...No shame or guilt, just surrender to its power. The B side is "good" too!

Thanks to J.K for this one

Click on title for a full version of Orang-Utang

Hans Van Hemert –Because Of The Cats

Hans Van Hemert –Because Of The Cats/ You Got To Sing Tonight –Philips 6012 324 (1973 NL)

Hans Von Hemert’s name appears as producer on many choice Dutch Glam era singles including Dump’s incredible Annabelle (or Annabella). He also had quite a few releases under his own name and was pretty popular at the time.

Because Of The Cats is the title song to what appears to be a Dutch Giallo/Slasher movie -Niet Voor De Poesen : A series of rapes are commited by a gang of "untouchable" rich kids. The gang doesn't need to steal as they are all rich. Instead, they hold sadistic quasi-satanic rituals, wreck the houses of other rich people, and rape women. The boys call themselves "The Ravens"; the girls call themselves the "She-Cats." Egged on by the "She-Cats," the boys' activities escalate until they commit a murder...
Musically Because Of The Cats is nailed down by a thumping beat, sports a catchy tune with subtle orchestration and features some choice use of phasing half the way through. A very cool single indeed!

Click on title for a soundclip of Because Of The Cats

Starbuck –Heart Throb

Starbuck –Heart Throb/ Ricochet –Bradleys BRAD 7411 (1974 UK)

The ongoing Brian Engel/ Martin Briley saga continues…Yes, it’s ye old Mandrake Paddle Steamer, Prowler, Liverpool Echo, Shambles guys with the follow up to Do You Like Boys. It’s pretty different from the previous Starbuck release as it leaves the camp element behind, but the 2 sides are veritable corkers. Both songs were written by Howard/Blaikley with Heart Throb being a glammed up 50s / 60s recreation with an incredible production –progressive Doo-Wop anyone?
Ricochet is more like Chicory Tip updating The Merseybeat sound but with more oomph. Fantastic stuff!

This just in...Thanks to Brian, Martin and Mark J. for the added info

From Brian:

“Well, actually, there WAS a band and we DID do a few gigs. It actually was planned as a real entity. It was absolutely outrageously stupid but I remember loving it because it was so unutterably silly.”

“We were all pounced up with the most hermaphrodite look that our girlfriends could devise and it really appealed to my sense of the bizarre to be gyrating around, looking like Lynsey De Paul singing simple pure Billy Fury songs like Half Way To Paradise.”

“Briley and I actually did a short tour of Germany with another bloke called Barry Blue. We were halfway through the tour and wondering why Germans seemed so keen on giving blokes flowers when it dawned on us that we had been booked into a series of Gay Bars.”

Martin: “I seem to remember as a four piece we were booked to play a gig at some skinhead club in Chatham, the crowd looked SO dangerous we had to decide whether to slip out the back, OR go the other direction and just totally camp it up. We chose the latter. I could never work out how we managed to get away with that, maybe they felt too sorry for us to get violent.”

Click on title for an edit of Heart Throb and Ricochet

Letters From The Front...

So here I am in Hamburg...

Spent the day checking out the record scene, and I've had a pretty productive day.

Many of the shops I had on my list are now closed, but the remaining stores well made up for it so far. The first shops I visited were Zardoz, Slam and Rekord in Schulterblatt. I picked up 4-5 singles there, but following a short taxi ride I landed at Plattenrille which you can find at the end of an alley at 29 Grindelhof. The shop itself is pretty big with an OK collection of singles and a huge amount of LPs, but after talking to Paul who's been running the shop for donkey years, I was invited into the backroom which is in fact more like a warehouse! There must have been over 50.000 singles there, all meticulously alphabetisized. The only shop I know where Cardinal Point have their own section for chrissake!

Needless to say, after a good 4 hours going through the boxes, I found 50 singles of note, which come to think of it is the same number I usually find at the Utrecht fair in 2 days!

Here are some of the finds of the trip so far, most in pic sleeves:

Muff: Sexy Sexy Lady -Ger Pic sleeve

Missing Link -Friday On My Mind

Alvin's Heart Beats -Chilly Willy -nice German Pic Sleeve

Teenager -Baby Hold On (related to Dutch band Bloom)

Walkers -I do The Show For You (The Danish ones, not the Dutch)

Geoff Appleby -Make Me Take Me -UK Demo

Extra copies of both Buzz singles (Geoff Appleby/ "Mutt" Lange)

Revolver -But How I Love It (a spare of this fine single)

Burnt Out Stars -In Vain

Nicky Bulldog -Bulldog (Dog Power Song) -heard a snippet of this -sounds pretty wild, most likely an Italian job...

Radiator -Isn't It Strange -UK Demo

Sting -Blazing Inferno -A second single by the band who recorded the Bubbleglam classic Thief Of Baghdad

Paul Ryder And Time Machine -Are You Ready (Great German Pic sleeve)

Funny Dog -One, Two, Three (fun bubblegum tune)

Capital City Rockets -Little Bit Of Fun/ Breakfast in Bed (Jaimie Lyons from The Music Explosion!)

K.K Black -California Sun (produced by Robert Johnson, the guy looks very familiar to me, who is he?

Teddy Lane -Do The Rock 'N' Roll

The Sorrows -C'Mon Everybody. This looks like the same Sorrows. Not sure if Whitcher/ Lomas are involved, but it's produced by Eddie Seago and John Rossall and it's from 1977!!!!

Rats -Turtle Dove -lovely bright yellow German pic sleeve with band photo

Phoenix -Black Is Black (looks like their second single, also produced by Adrian Baker)

Barry Ryan -Do That -UK Dawn

Shepstone and Dibbens -Shady Lady -god they look dodgy on the cover of this German single...

Brandy Balloon -Tambourine -Sonet -also Shepstone and Dibbens

SkinFlick-Do You Want To Touch Me -UK Demo -god knows, this might be a horrinble disco version...

Disco Kid -Roller Coaster -Ger RAK

Heart -Lovemaker -Great full colour German Pic sleeve for this Dutch Glam cruncher

And much more, plus a couple of Elton Motello singles and a bundle of spares...

Paul is a very cool guy who knows his stuff inside out. They don't list their stock on the website, but I left quite a few singles, so if you need 10 Elton Motello singles or that elusive Cardinal Point track, you know where to go. They do mail order.

Click on title to go to Plattenrille's website

Michael Elo –Wizzy Lizzy

Michael Elo –That’s My Bag/ Wizzy Lizzy –Philips 6012 364 (1973 NL)

Frizzy Micky sings Wizzy Lizzy! Michael was a Danish citizen who had quite a few releases including a solo album with the self-effacing title "Me" in ‘71. This single was recorded in The Netherlands under the supervision of producer Hans Van Hemert (Because The Cats coming soon…) and it’s a nifty Hard Rockin’ Glam crossover. The lyrics allude to that great Danish obsession with broomsticks and the like, but there’s no foul, only fair to be found here…Perhaps not a great Dane, but a man of definite merit based on this B side in any case.

Click on title for a soundclip of Wizzy Lizzy

Hero –Love Gone Bad

Hero –Love Gone Bad/Nothing Comes Easy –Private Stock PVT 102 (1977 UK)

Anyone for Downer Glam syndrome? Go on pop a couple of ‘ludes and get into this baby.

I’m not one for growers as life's too short, but this is really something special. It’s pretty indescribable, but I somehow think of Cheap Trick in Dream Police/Voices mode, but persevering with their Lennon obsession with a handful of horse tranquilizers and cheap synths. It sounds like they were even going for a Reggae type beat, but thank god they completely failed in that department. The arrangement and structure are really strange to say the least, just you wait until that thumping middle eight kicks in. Anyhow, this is quite an incredible production, just give it a chance to seep into your (un)consciousness.

In order to get you all hooked, when you click on the title you will get the FULL version of Love Gone Bad

Thanks for the turn on Bob!

Hamburg Record Shops

Hi
I'm off to Hamburg for a few days. Can anyone recommend any record shops? Most listings on the web are done by "dance" music types, but what I want are places where I can find my dodgy 70s singles!
Thanks
Robin

Eddie Kidd –Leave It To The Kid

Eddie Kidd –Leave It To The Kid/Big Jump At Picket’s Lock –Decca FR 13795 (1978 UK)

Leave It To The Kid is a bone-crunching-13-double-decker-hopping-semi -smash-stomper by the UK’s own Evel Knievel: Eddie Kidd. Of the Decca singles I have, this is by far the greatest as it’s a truly rousing performance featuring Eddie’s unmistakable vocal range along with a great driving string section. The track was even a "Tony Blackburn Record of the Week", and that man certainly knew his stuff! Eddie retired from stunts a while ago, but I am proud to acknowledge his legendary status here and now, if only for this amazing release.

Click below for a soundclip of Leave It To The Kid

You can also catch Eddie performing the track on Peter Cook’s Revolver here: http://www.youtube.com/watch?v=wCjgEj2iJZg

Return from Utrecht...again!

Every time I come back from the fair, the same clichés come to mind:...The sheer size of it is just plain nuts (500+ dealers) and it really pisses all over what passes for major "International" fairs here in London.

The aches and pains of crouching, stretching and walking up and down the isles in a crazed daze looking through the Zillions of singles, in the hope of finding that special classic that makes the trip worthwhile, is madness...BUT yes, I found some great and sometimes surprising stuff, but also some hilarious disasters!

The whole trip didn't start too well as I had to make changes to my original plans and went to Brussels the day before for work commitments, and in the confusion I forgot my 3 day passes in London! But what could have been an issue was swiftly sorted out with great friendliness by the organisers and I didn't have to go through with plan C, which involved hanging on to the under-carriage of dealer's van to gain entry...(In fact there was a plan B as well). So by 9 am on Friday, I was in...
And the result? Well, I came back with over 50 singles, including one absolute Corker from someone who was a household name in the UK in the 70s...I'll keep schtum about it until I review it (hopefully on Monday), in the meantime I'll just divulge that it involves motorbikes...

Here are some of the other ones:

Black Fire -Come On And Do It (RCA Ger 1975). This is in fact the Dutch Black Fire, they renamed the song and gave the new sleeve a certain Pantherman feel to it. Click on the link above to go to the original review and soundclip.
Mustang -Wild Mustang (-Good Teens soundalike on blue vinyl)
Pagliaro -Lovin' You Ain't Easy (in a rather fetching French Pic. sleeve)
Kraaijeveld -Yes Tonight Josephine
Stamford Bride -Rise Sally Rise
Baby Face -Watch Your Step
A collection of BubbleGlam singles with a...er... "European feel": 2 by Jackpot including Is Everybody Happy (Incredibly dodgy, but with stomping sounds that are the closest to crunching goosesteps yet -they're German after all), Crackerjack -Tambourine (also German), Cissy by Yellow Cat (Dutch but sound German!)
Holy Mackerel -Rock'A'Bye (Barry Blue/Green)
Carnaby Street Runners (Kasenetz/ Katz, similar in concept to Mike Berry's Biggles single)
Fogg -Dancin' To The Music (Ger pic sleeve)
Duck Deluxe -I Fought The Law (RCA Demo)
Blackfoot Sue (German single with Glittery Obituary on the B side)
Smoke-Shagalagalu (yes, it's BubbleGlam folks...)
Starbuck - Heart Throb -Bradleys (A great single)
Wild Angels -Jo Jo Ann (from Out At Last)
Wild Angels -Sally Ann (NOT from Out At Last!)
Time Machine -Turn Back Time (French Psych with pipes from the Andes!!! -on Rubble volume something or the other)
Merlin-Wild Cat (Nice German pic sleeve)
Catapult (UK issue on Bradleys!)
Park Lane -The Party (Produced by Pete Koelewijn, the A side rocks and it has a different version of The Rockets' Rock 'n Rioll Drummer Part 2 on the B side
Dump -Will you Still Love Me Tomorrow
The Dogs -I've Been Down Down Down (a 68' call to rarms transplanted to 1974)
Hans Van Hemert -Because of The Cats -(a cracking Glam single)
TimeBox -Baked Jam Roll In Your Eye (lovely mint UK copy of this nutty masterpiece)
Bang -Questions (German pic sleeve of a Blue Cheer -like/ Teen hard rock band)
The Boer Four -The Boers Have Got My Daddy on Surf City Recordings!!!????
Magnet -Something To Remember me By (Ex Downliner Sect in semi-Glam crunchin mode)
Giggles -Just Another Saturday Night (Great German pic sleeve on this one)
Zips -You're So Good To Me (Yum Yum). This is in fact Pip Whitcher and Roger Lomas (The Sorrows, The Eggy, Renegade). As Zips, they also released Bye Bye Love (with a great B side) on RAK in the UK, but I didn't know about this one, which comes in a gear German pic sleeve. Musically, it's a stange mix of Adrian Baker Beach Boys fixation and Lomas/ Whitcher Heavyness with Glam seasonings.

I'll be reviewing some of these over the next few weeks, let me know if you have any particular request...

Here we go again...

I'll try and report back on Sunday...I will also be spinning a few singles here http://www.dbstudio.nl/ on Friday night, sleep...? Sleep is for wimps!

The Memories –Lay It On Me

The Memories –Lay It On Me/Did Ya Get It –Rex R11091 (1974)

This is definitely one of the more obscure Junkshop Glam singles…It has all the staple trappings including HEYs, handclaps, a mean Glitter fuzz part and it’s from the right year, but… it doesn’t quite make it to upper echelons of Crunching Glam Corkers, and is in a similar bag as Loco's At The Local Dance (BASF). Still the cartoon voice intro and the Glam-by-numbers arrangement, make this single a nice find and not only because it’s so damn obscure…The B side is also a rocker but in a lighter quasi-Bubblegum mode…Were they perhaps an Irish band???

Click on title for a soundclip of Lay It On Me

Jeff Britton & The Spitfires –Rub Out

Jeff Britton & The Spitfires –Rub Out/Breakwood –Decca F13643 (1976 UK)

An interesting Martin Rushent production here…Both tracks are instrumentals, with Rub Out sounding like a Glammed up Prog Dancer stealing its "tune" from John Carpenter’s Assault On Precinct13. This is pretty likely as that movie was very popular as midnight showings at the time. The flanged drums and repetitive motif should prove popular for those into sampling…Breakwood is slightly more funky, but is swamped in Hammond with a cool tribal "Let There Be Drums" break…Is Jeff Britton in fact Geoff Britton who drummed with The Wild Angels and went to play with Wings?

Click on title for an edit of Rub Out and Breakwood

Derek Paul –Drugtaker

Derek Paul –Drugtaker/Riverboat –Young Blood International YB 1008 (1972 UK)

Lyrically Drugtaker is pretty ineffective as an anti-drug song, however the track is a sumptuous Spectorian Psych/Pop number with an arrangement swamped in echo and incredibly loud timbales that recall Pet Sounds’ Waiting For The Day. Although it came out in ’72, the sound is pure ‘68, so it could well have been a master that was hanging for a few years that Miki Dallon simply resurrected (as with Kidrock’s Ice Cream Man) for his revamped Young Blood label.

Click below for a soundclip of Drugtaker

Left Side - Like a Locomotion

Like a Lo-lo-lo-lo-lo-lo-lo-comotion!!!!

Melody -Come Kids

Melody -Come Kids/Strawberry -Negram NG2260 (1977 NL)

Melody were from Amsterdam and strangely, this -their 2nd single, simply swaps the first single's A and B sides round and features them in newly recorded versions under new titles...

So, Come Kids becomes a much noiser version of Look In My Eyes And Love Me whereas Strawberry is an Electro -Pop revamp of Steppin' Stone! It seems that at some point the band renamed themselves Bad Melody and went all out PUNK. Too much Strawberry Space Yoghurt, me thinks...Check out the original posting for their first single: May 4th 2007

Click on title for edits of Come Kids and Strawberry

Eagle –Come In, It’s All For Free

Eagle –Kickin’ It Back To You/ Come In, It’s All For Free –Pye International 7N 25530 (1970 UK)

Tucked away on the flip side of a pretty good Northern Stomper, Come In It’s All For Free is a cracking late Garage Rocker. It’s quite a straightforward chuggin’ affair until the lead break comes along where it goes all twangy over an underlying semi-Buddy Holly beat. The track gets a bit diffused after that, but the tune rides out fine until its conclusion.
Once again I have little indication of who these guys were. It was originally released in the US on Janus where they had at least one other single, so apart from being American, who knows…

Click below for a soundclip of Come In, It’s All For Free

Mystery Track...

Hi
A blog reader sent me this track and no one I know knows who it is. It's probably '67/'68 and would fit perfectly between Procol Harum and Rupert's People. There are some suggestions that it may be French or Dutch, but it sounds pretty UK-ish to me.
The sound quality is pretty Lo-Fi, but if anyone knows who the artist is, please let us know...
Thanks

Please click on title for a full version of "Unknown Track"

Good-Time Joe - Slipstream

Good-Time Joe -Slipstream/Ballad -Philips 6012494 (1975 NL)

Slipstream is a tasty Punked-out Stonesian affair with more than a nod to the New York Dolls. The track is as tight as can be and powers straight down the mainline. It features female backing vocals that really lift the chorus and yelps on the finale that are pure Johansen.
Produced by the legend that is Boudewijn de Groot, Slipstream was recorded in 1974 under the name Stud. The record probably never came out then, but Philips decided to release it a year later as by Good-Time Joe. Stud/ Good-Time Joe featured Dutch Rock Junkie and piano-player Herman Brood in its line-up.

Click on title for a full version of Slipstream

Foxtrot –Cave Man Billy

Foxtrot –Cave Man Billy/These Passing Days –RCA APBO 0169 (1974 UK)

Cave Man Billy is one of the many Glam Era Bubblegum Obscurities released on RCA at the time. It’s a silly yet compelling tune with a nice Fuzz part and Sweet–like vocals. It recalls a more frothy Neanderthal Man and is another pure Bubbleglam delight.

There are quite a few cheap copies if this single floating about online, so happy hunting!

Click below for a soundclip of Cave Man Billy

Grumpy –Rule Britannia (We’re Doing Our Bit)

Grumpy –Rule Britannia (We’re Doing Our Bit)/ You Were My Friend –Decca F13492 (1974 UK)

Rule Britannia is a fun period piece and a great ode to the 3 day week, full of the Dunkirk spirit with a wink to Confessions Of A Window Cleaner... it certainly gives The Strawbs’ Part Of The Union a good run for its money. The lyrics are a real hoot and musically it comes across like a Vaudevillian Kinks in bovver boots. Dave Bloxham produced this, he was mainly known for Reggae stuff although he also produced that first Ducks Deluxe album.

Click on title for a full version of Rule Britannia

Geoff Appleby -Hey Sadie

Geoff Appleby -Hey Sadie/ Move On Down The Road -Virgin VS 157 (1976 UK)

Geoff Appleby had a long career starting off with The Rats (the Hull Rats, Geoff joined at the same time as Mick Ronson). He was also a member of the Hunter-Ronson Band and released two singles on Virgin under his own name before reappearing as Buzz with the singles The Rock Roller Coaster and Mony Mony which were only released in Germany.

Hey Sadie is Geoff's second Virgin single and it's a cracker. It's a late rockin' Glam track with a killer sense of melody. The arrangement is ambitious and as with the Buzz singles, Hey Sadie is produced by Robert "Mutt" Lange. The sound is full, bright and very loud making the whole package sound like a great lost Mott The Hoople single.

Click on title for a soundclip of Hey Sadie

The Killer -Say Goodbye

The Killer -Pretty Woman/ Say Goodbye -Negram NG 2009 (1975 NL)

Unjustly relegated to the B side, Say Goodbye is a simple but hooked-filled little tune. Based on a solid Glitter beat, the melody is Pure Pop with a rich production featuring some nifty thrills -dig those acoustic stabs, wolf-whistles and piano runs...not exactly KILLER, but very memorable all the same. The A side Pretty Woman is an OK update of the Roy O number - no more, no less...
The Killer is Jans Rietman, who was the piano player with Long Tall Ernie and the Shakers. He also joined Bonnie St. Claire & Unit Gloria, as the band was on the verge of breaking up (he’s on the sleeve of Knock on my door). His real claim to fame is when he produced the Jet Boy Jet Girl 45 by Captain Sensible & The Softies back in ’77 !

Thanks to Jos for the background info and to Tim for turning me onto the track in the first place.

Click on title for a full version of Say Goodbye